© » KADIST
Richard Gordon
San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image’s foreground we see the silhouette of a man, darkened and in contrast to the bright streetscape unfolding behind him. To the left, an American flag flutters in the wind, saluting the skyscrapers—among them the iconic architecture of the San Francisco Museum of Modern Art.
© » KADIST
Richard Gordon
Washington D. C. Constitution Ave. is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image, a woman and a child walk along Constitutional Avenue as a surveillance camera on the street post directs its gaze towards them. The otherwise quiet image then becomes an exercise of resistance: together with the other images from the series, Gordon’s photograph documents the changes that have taken place in architecture, civic life, especially in a post 9/11 experience of public space.
© » KADIST
Douglas Gordon
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).
© » KADIST
Douglas Gordon
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.
© » KADIST
Douglas Gordon
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.
© » KADIST
Leah Gordon
The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti. Médéric Moreau de St Mery (1750-1819), a French créole slave owner and freemason living in Saint Domingue (now Haiti), created a taxonomy of race classifying skin color from black to white using names derived from mythology, natural history, and bestial miscegenation. His Description topographique, physique, civile, politique et historique de la partie française de l’isle Saint-Domingue (1789) hierarchizes 128 possible combinations of black-white miscegenation into nine categories (the sacatra, the griffe, the marabout, the mulâtre, the quarteron, the métis, the mamelouk, the quarteronné, and the sang-melé).
© » KADIST
Mary Helena Clark
The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo . But the parts don’t fit, and it is only in the eventual recognition of this faux raccord that Clark’s higher purpose becomes apparent. As we hear Bernard Herrmann’s score, we see the Golden Gate Bridge, Mission Dolores, and other Vertigo locations in the present day.
© » KADIST
Mary Helena Clark
By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions -the suggestion of a story, the anchoring of actors as characters- to have the viewer constantly questioning who or what they are, and where they are located in the film’s world. Delphi Falls was included in the 2017 Whitney Biennial film program.
© » KADIST
Thomas Kilpper
Drawing & Print (Drawing & Print)
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.
© » KADIST
Thomas Kilpper
Drawing & Print (Drawing & Print)
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.
© » KADIST
Carlos Amorales
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
© » KADIST
Wolfgang Tillmans
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.
© » KADIST
Carlos Amorales
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
© » KADIST
Ximena Garrido Lecca
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure. Copper pipes run through the perforated ceramics, evoking the design of an oil purifier. The work is a direct reference to the history of the Peruvian coastal town of Lobitos.
© » KADIST
Anthony McCall
Drawing & Print (Drawing & Print)
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.
© » KADIST
Toby Ziegler
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means.
© » KADIST
Amalia Pica
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013).
© » KADIST
Toby Ziegler
Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure. It is based on a pornographic image by Giulio Romano (ca.1499-1546). Romano had completed Raphael’s frescos in the Vatican after the latter’s death but was not paid for the work.
© » KADIST
Hiraki Sawa
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects.
© » KADIST
Jeremy Deller
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing. The artist narrates the many projects he has completed or which are in progress beyond the gallery walls. It is beyond the gallery where Deller is at his most effective and where his art reaches out to and into people’s lives.
© » KADIST
Alexandre da Cunha
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.
© » KADIST
Tomoko Yoneda
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.
© » KADIST
Alexandre da Cunha
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.
© » KADIST
Anthony McCall
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.
© » KADIST
Anthony McCall
Landscape for fire is a major work by Anthony McCall. The film recounts a performance where characters in white, light up fires in a very orchestrated choreography of lights in a vast flat landscape. The performance is carefully planned – the fires are lit and geometrically aligned in a precise temporal progression.
© » KADIST
Alexandre da Cunha
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.
© » KADIST
Michael Landy
H.2. N. Y Skeleton of the Dump revolves entirely around the performance “Homage to New York” (1960), of the Swiss artist Jean Tinguely (1925-1991), during which the machine built by the artist in the gardens of the Museum of Modern Art (MOMA) had to self-destruct itself in 27 minutes, but, in the end, it had to be finished off by firemenbeing called in after it erupted in flames. Since the discovery of Jean tinguely’s retrospective at the Tate Gallery in London, in 1982, Michael Landy spent two years researching and sketching (charcoal, oil, glue, ink) from his previous research carried out at Museum Tinguely in Basel, and at the MOMA in New York.
© » KADIST
Cerith Wyn Evans
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative.
© » KADIST
Alexandre da Cunha
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Douglas Gordon
- location: Berlin, Germany
- year born: 1966
- gender: male
- nationality: Scottish
- home town: Glasgow, United Kingdom
Anthony McCall
- location: London, United Kingdom
- year born: 1946
- gender: male
- nationality: British
Thomas Kilpper
- location: Stuttgart, Deutschland
- year born: 1956
- gender: male
- nationality: German
Carlos Amorales
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Cerith Wyn Evans
- location: London, United Kingdom
- year born: 1958
- gender: male
- nationality: British
- home town: Llanelli, United Kingdom
Richard Gordon
Originally from Chicago, Richard Gordon was a self-taught photographer best known for his intelligent and masterfully printed black-and-white photographs...
Mary Helena Clark
Mary Helena Clark is an artist working in film, video, and installation...
Toby Ziegler
- location: London, United Kingdom
- year born: 1972
- gender: male
- nationality: British
Ximena Garrido Lecca
- location: London, United Kingdom
- year born: 1980
- gender: female
- nationality: Peruvian
- home town: Lima, Peru
Tomoko Yoneda
- location: London, United Kingdom
- year born: 1965
- gender: male
- nationality: Japanese
- home town: Akashi-city, Japan
Indira Allegra
Indira Allegra uses text and textile production—a combined material they designate as a “text/ile”—to embody unseen forces like memory, haunting, grief, and emotions born from trauma...
Wolfgang Tillmans
- location: London & Berlin
- year born: 1968
- gender: male
- nationality: German
- home town: Remscheid, Germany
Olivia Erlanger
Olivia Erlanger is a New York based artist that works between sculpture and conceptual art...
Fernanda Gomes
- location: Rio de Janeiro, Brasil
- year born: 1960
- gender: female
- nationality: Brazilian
Jeremy Deller
- location: London, United Kingdom
- year born: 1966
- gender: male
- nationality: British
Leah Gordon
Leah Gordon is an artist, curator, and writer, whose work considers the intervolved and intersectional histories of the Caribbean plantation system, the Trans-Atlantic Slave Trade, the Enclosure Acts and the creation of the British working-class...
Hiraki Sawa
- location: London, United Kingdom
- year born: 1977
- gender: male
- nationality: Japanese
- home town: Ishikawa, Japan
Jibade-Khalil Huffman
Jibade-Khalil Huffman uses performance, photography, and video that pushes the capabilities of text and image to tell stories and convey meaning...
Michael Landy
- location: London, United Kingdom
- year born: 1963
- gender: male
- nationality: British
Amalia Pica
- location: London, United Kingdom
- year born: 1978
- gender: female
- nationality: Argentine
- home town: Neuquén, Argentina
© » ART & OBJECT
about 3 months ago (02/12/2024)
10 Exhibitions to See During Black History Month | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
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about 3 months ago (02/09/2024)
5 Must-See Artworks at ZonaMaco 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO 2024...
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about 3 months ago (02/08/2024)
The Best Booths at Zona Maco 2024 Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 8, 2024 9:00am The entrance to the 2024 edition of Zona Maco...
© » ARTEFUSE
about 3 months ago (02/07/2024)
The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...
© » THE GUARDIAN
about 3 months ago (02/02/2024)
An eyeful of Soho sinners: Douglas Gordon’s All I Need Is a Little Bit of Everything review | Douglas Gordon | The Guardian Skip to main content Skip to navigation Skip to navigation Male gaze … a still from 2023EastWestGirlsBoys...
© » TWOCOATSOFPAINT
about 3 months ago (01/30/2024)
NYC Selected Gallery Guide: February 2024 – Two Coats of Paint Margot Samel: Cathleen Clarke, Wrong Side of the Bed, 2023, oil and acrylic on canvas This month, make sure to double-check gallery addresses because some have changed locations...
© » ART AND CAKE
about 3 months ago (01/25/2024)
Artists Collecting Artists – Art and Cake January 25, 2024 January 25, 2024 Author Artists Collecting Artists Check out our new photo essay “Artists Collecting Artists.” As artists we are probably the most lucky collectors of all...
© » FLASH ART
about 4 months ago (01/09/2024)
Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » TRIBLIVE
about 5 months ago (12/18/2023)
I’ve watched dozens of cheesy holiday rom-coms this year...
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about 5 months ago (12/14/2023)
BOMB Magazine | Puppies Puppies (Jade Guanaro Kuriki-Olivo) Necessary (Required) Cookies that the site cannot function properly without...
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about 5 months ago (12/13/2023)
BOMB Magazine | Yu-Wen Wu Interviewed Necessary (Required) Cookies that the site cannot function properly without...
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about 5 months ago (12/12/2023)
Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Intellectual property news Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour The artist, known for his distinctive sexualised androids, took to Instagram to denounce what he claims are unauthorised uses of his work in the concert tour’s imagery Theo Belci 12 December 2023 Share Beyoncé performing in a mirrored, retrofuturist costume during her Renaissance World Tour Photo by Raph_PH, via Flickr The Japanese artist Hajime Sorayama has criticised superstar Beyoncé in an Instagram post, claiming the musician appropriated imagery from his trademark erotic robots in visuals and merchandise for her Renaissance tour—which grossed $575m and spawned a successful documentary ...
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about 5 months ago (12/06/2023)
BOMB Magazine | Ed Park Necessary (Required) Cookies that the site cannot function properly without...
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about 5 months ago (12/04/2023)
5 Museum Exhibitions to See in Miami During Art Basel - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Hernan Bas: The Conceptualists" at the Bass Museum of Art, Miami Beach...
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about 5 months ago (11/30/2023)
NYC Selected Gallery Guide: Dec 2023 – Two Coats of Paint Bortolami: Jutta Koethe in “ Good Luck Spot ” Hey galleries and artists! If you have enjoyed being included in our NYC Selected Gallery Guide and find it a helpful way to get the word out to promote your exhibitions, please consider making a tax deductible contribution to Two Coats of Paint ...
© » ARTSY
about 5 months ago (11/29/2023)
Alicia Keys and Swizz Beatz will show their art collection at the Brooklyn Museum...
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about 5 months ago (11/29/2023)
Galleries Are Still Adapting to the New Normal, Post-COVID | Artsy Skip to Main Content Advertisement Art Market Galleries Are Still Adapting to the New Normal, Post-COVID Maxwell Rabb Nov 29, 2023 10:24PM Exterior view of Mazzoleni Gallery, London...
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about 5 months ago (11/28/2023)
6 Artists to Watch during Miami Art Week according to Sarah Harrelson | Artsy Skip to Main Content Advertisement Art Sarah Harrelson’s Artists to Watch during Miami Art Week Sarah Harrelson Nov 28, 2023 10:35PM Sarah Harrelson at home in Beverly Hills standing next to a Pierre Chapo table with ceramics by Seth Bogart and Haas Brothers...
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about 7 months ago (10/09/2023)
"KorSonoR" exposition-festival d'arts sonores et visuels - artpress X 9 octobre 2023 Dans AP Web , arts visuels “KorSonoR” exposition-festival d’arts sonores et visuels Par Félix Gatier...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The gift includes works by Sam Doyle, Purvis Young, Thornton Dial, Sister Gertrude Morgan, and Herbert Singleton....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Christieâs Will Offer Ann and Gordon Gettyâs Sterling Collection of Impressionists and Old Masters, Raising a Potential $180 Million - via artnet news...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
James McKissic shares pieces from his collection in AVA's 'Rooted in Color' exhibition | Chattanooga Times Free Press Photo from AVA Gallery / "Minister, Chicago 1950" by Gordon Parks The Association for Visual Arts ventures into new territory with its first show of 2020...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Holly Solomon spent most of her life supporting and championing artists; a new exhibition in London charts her influence....
© » SFMOMA OPENSPACE
about 29 months ago (12/02/2021)
Track Changes : Open Space December 02, 2021 Track Changes by Claudia La Rocco , Suzanne Stein + Lenny Gonzalez by Claudia La Rocco + Suzanne Stein, with Lenny Gonzalez The colophon for the original Open Space , published by White Rabbit Press...
© » ARTNEWS RETROSPECTIVE
about 38 months ago (03/19/2021)
Kenneth Clark on the Formation of Western Institutions, in 1954 – ARTnews.com Skip to main content By Kenneth Clark Plus Icon Kenneth Clark View All March 19, 2021 1:37pm Johan Zoffany, Tribuna of the Uffizi , 1772–78...
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about 42 months ago (11/14/2020)
British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper...
© » ARTS EQUATOR
about 58 months ago (08/09/2019)
Looking away for clarity: “First Fleet” by Nine Years Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Bernie Ng August 9, 2019 By Nabilah Said (1,100 words, 6-minute read) “The best seats are on the sides.” A friend’s advice guided my decision when I went to review First Fleet by Nine Years Theatre...
© » ARTREPORT
about 101 months ago (01/24/2016)
Come In From the Blizzard: Outsider Art Fair – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Come In From the Blizzard: Outsider Art Fair by December Projects Jan 27, 2016 in NEWS 0 Cai Dongdong, Klein Sun Gallery...
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about 124 months ago (02/26/2014)
Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...
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1970-1979
Anthony McCall
1973The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
Anthony McCall
Drawing & Print
1974(Drawing & Print) This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
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1980-1989
Martha Araújo
1982In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
José Leonilson
1984O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...
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1990-1999
Douglas Gordon
1996In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
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2000-2009
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Raymond Pettibon
2000The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Douglas Gordon
2002Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Richard Gordon
2003San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA...
Douglas Gordon
2004Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Toby Ziegler
2005The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Carlos Amorales
2006This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Hiraki Sawa
2006Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Carlos Amorales
2007This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Toby Ziegler
2007Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Cerith Wyn Evans
2008Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
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2010-2019
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
Alexandre da Cunha
2011The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Leah Gordon
2012The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti...
Jeremy Deller
2012Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
Amalia Pica
2013Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Fernanda Gomes
2013For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Mary Helena Clark
2014The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo ...
Ximena Garrido Lecca
2014Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Olivia Erlanger
2016Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...
Mary Helena Clark
2017By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities...
Wolfgang Tillmans
2017Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Jibade-Khalil Huffman
2017Jibade-Khalil Huffman’s work brings together spoken and written language, photography, vintage television and computer animation to pay homage to African-American popular culture...
Indira Allegra
2018Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...
