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San Francisco, Moscone Center
© » KADIST

Richard Gordon

Photography (Photography)

San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image’s foreground we see the silhouette of a man, darkened and in contrast to the bright streetscape unfolding behind him. To the left, an American flag flutters in the wind, saluting the skyscrapers—among them the iconic architecture of the San Francisco Museum of Modern Art.

Washington, D.C. Constitution Ave.
© » KADIST

Richard Gordon

Photography (Photography)

Washington D. C. Constitution Ave. is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image, a woman and a child walk along Constitutional Avenue as a surveillance camera on the street post directs its gaze towards them. The otherwise quiet image then becomes an exercise of resistance: together with the other images from the series, Gordon’s photograph documents the changes that have taken place in architecture, civic life, especially in a post 9/11 experience of public space.

The Making of Monster
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

Photography (Photography)

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.

The Caste Portraits Series
© » KADIST

Leah Gordon

Photography (Photography)

The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti. Médéric Moreau de St Mery (1750-1819), a French créole slave owner and freemason living in Saint Domingue (now Haiti), created a taxonomy of race classifying skin color from black to white using names derived from mythology, natural history, and bestial miscegenation. His Description topographique, physique, civile, politique et historique de la partie française de l’isle Saint-Domingue (1789) hierarchizes 128 possible combinations of black-white miscegenation into nine categories (the sacatra, the griffe, the marabout, the mulâtre, the quarteron, the métis, the mamelouk, the quarteronné, and the sang-melé).

The Dragon is the Frame
© » KADIST

Mary Helena Clark

Film & Video (Film & Video)

The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo . But the parts don’t fit, and it is only in the eventual recognition of this faux raccord that Clark’s higher purpose becomes apparent. As we hear Bernard Herrmann’s score, we see the Golden Gate Bridge, Mission Dolores, and other Vertigo locations in the present day.

Delphi Falls
© » KADIST

Mary Helena Clark

Film & Video (Film & Video)

By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions -the suggestion of a story, the anchoring of actors as characters- to have the viewer constantly questioning who or what they are, and where they are located in the film’s world. Delphi Falls was included in the 2017 Whitney Biennial film program.

John Heartfield and Silvio Berlusconi
© » KADIST

Thomas Kilpper

Drawing & Print (Drawing & Print)

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.

Willi Brandt, Günther Guillaume and Dietrich Sperling
© » KADIST

Thomas Kilpper

Drawing & Print (Drawing & Print)

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.

From Useless Wonder 04
© » KADIST

Carlos Amorales

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

Photography (Photography)

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.

Useless Wonder
© » KADIST

Carlos Amorales

Film & Video (Film & Video)

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

Destilaciones
© » KADIST

Ximena Garrido Lecca

Sculpture (Sculpture)

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure. Copper pipes run through the perforated ceramics, evoking the design of an oil purifier. The work is a direct reference to the history of the Peruvian coastal town of Lobitos.

Fire Cycles III (Subcycle 10)
© » KADIST

Anthony McCall

Drawing & Print (Drawing & Print)

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.

The Fifth Quarter
© » KADIST

Toby Ziegler

Painting (Painting)

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means.

Memorial for intersection #2
© » KADIST

Amalia Pica

Sculpture (Sculpture)

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013).

Wagon Wheel
© » KADIST

Toby Ziegler

Sculpture (Sculpture)

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure. It is based on a pornographic image by Giulio Romano (ca.1499-1546). Romano had completed Raphael’s frescos in the Vatican after the latter’s death but was not paid for the work.

Hako
© » KADIST

Hiraki Sawa

Film & Video (Film & Video)

Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects.

Beyond the White Walls
© » KADIST

Jeremy Deller

Film & Video (Film & Video)

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing. The artist narrates the many projects he has completed or which are in progress beyond the gallery walls. It is beyond the gallery where Deller is at his most effective and where his art reaches out to and into people’s lives.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Japanese House Series
© » KADIST

Tomoko Yoneda

Photography (Photography)

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.

Line describing a cone
© » KADIST

Anthony McCall

Film & Video (Film & Video)

The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.

Glaze (Savana)
© » KADIST

Alexandre da Cunha

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

Painting (Painting)

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.

Landscape for Fire
© » KADIST

Anthony McCall

Film & Video (Film & Video)

Landscape for fire is a major work by Anthony McCall. The film recounts a performance where characters in white, light up fires in a very orchestrated choreography of lights in a vast flat landscape. The performance is carefully planned – the fires are lit and geometrically aligned in a precise temporal progression.

H.2.N.Y Skeleton of the Dump
© » KADIST

Michael Landy

H.2. N. Y Skeleton of the Dump revolves entirely around the performance “Homage to New York” (1960), of the Swiss artist Jean Tinguely (1925-1991), during which the machine built by the artist in the gardens of the Museum of Modern Art (MOMA) had to self-destruct itself in 27 minutes, but, in the end, it had to be finished off by firemenbeing called in after it erupted in flames. Since the discovery of Jean tinguely’s retrospective at the Tate Gallery in London, in 1982, Michael Landy spent two years researching and sketching (charcoal, oil, glue, ink) from his previous research carried out at Museum Tinguely in Basel, and at the MOMA in New York.

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

Sculpture (Sculpture)

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Raymond Pettibon

Alexandre da Cunha

Anthony McCall

Douglas Gordon

Thomas Kilpper

Mary Helena Clark

Mary Helena Clark is an artist working in film, video, and installation...

Toby Ziegler

Richard Gordon

Originally from Chicago, Richard Gordon was a self-taught photographer best known for his intelligent and masterfully printed black-and-white photographs...

Cerith Wyn Evans

Carlos Amorales

Hiraki Sawa

Indira Allegra

Indira Allegra uses text and textile production—a combined material they designate as a “text/ile”—to embody unseen forces like memory, haunting, grief, and emotions born from trauma...

Wolfgang Tillmans

Fernanda Gomes

Jibade-Khalil Huffman

Jibade-Khalil Huffman uses performance, photography, and video that pushes the capabilities of text and image to tell stories and convey meaning...

Jeremy Deller

Michael Landy

Ximena Garrido Lecca

Olivia Erlanger

Olivia Erlanger is a New York based artist that works between sculpture and conceptual art...

Tomoko Yoneda

Leah Gordon

Leah Gordon is an artist, curator, and writer, whose work considers the intervolved and intersectional histories of the Caribbean plantation system, the Trans-Atlantic Slave Trade, the Enclosure Acts and the creation of the British working-class...

Amalia Pica

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about 3 months ago (02/12/2024)

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about 3 months ago (02/09/2024)

5 Must-See Artworks at ZonaMaco 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO 2024...

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about 3 months ago (02/08/2024)

The Best Booths at Zona Maco 2024 Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 8, 2024 9:00am The entrance to the 2024 edition of Zona Maco...

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about 3 months ago (02/07/2024)

The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...

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about 3 months ago (02/02/2024)

An eyeful of Soho sinners: Douglas Gordon’s All I Need Is a Little Bit of Everything review | Douglas Gordon | The Guardian Skip to main content Skip to navigation Skip to navigation Male gaze … a still from 2023EastWestGirlsBoys...

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about 3 months ago (01/30/2024)

NYC Selected Gallery Guide: February 2024 – Two Coats of Paint Margot Samel: Cathleen Clarke, Wrong Side of the Bed, 2023, oil and acrylic on canvas This month, make sure to double-check gallery addresses because some have changed locations...

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about 3 months ago (01/25/2024)

Artists Collecting Artists – Art and Cake January 25, 2024 January 25, 2024 Author Artists Collecting Artists Check out our new photo essay “Artists Collecting Artists.” As artists we are probably the most lucky collectors of all...

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about 4 months ago (01/09/2024)

Art & Sport de A à Z...

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about 4 months ago (01/09/2024)

Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

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about 4 months ago (12/18/2023)

I’ve watched dozens of cheesy holiday rom-coms this year...

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about 5 months ago (12/14/2023)

BOMB Magazine | Puppies Puppies (Jade Guanaro Kuriki-Olivo) Necessary (Required) Cookies that the site cannot function properly without...

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about 5 months ago (12/13/2023)

BOMB Magazine | Yu-Wen Wu Interviewed Necessary (Required) Cookies that the site cannot function properly without...

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about 5 months ago (12/12/2023)

Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Intellectual property news Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour The artist, known for his distinctive sexualised androids, took to Instagram to denounce what he claims are unauthorised uses of his work in the concert tour’s imagery Theo Belci 12 December 2023 Share Beyoncé performing in a mirrored, retrofuturist costume during her Renaissance World Tour Photo by Raph_PH, via Flickr The Japanese artist Hajime Sorayama has criticised superstar Beyoncé in an Instagram post, claiming the musician appropriated imagery from his trademark erotic robots in visuals and merchandise for her Renaissance tour—which grossed $575m and spawned a successful documentary ...

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about 5 months ago (12/06/2023)

BOMB Magazine | Ed Park Necessary (Required) Cookies that the site cannot function properly without...

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about 5 months ago (12/04/2023)

5 Museum Exhibitions to See in Miami During Art Basel - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Hernan Bas: The Conceptualists" at the Bass Museum of Art, Miami Beach...

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about 5 months ago (11/30/2023)

NYC Selected Gallery Guide: Dec 2023 – Two Coats of Paint Bortolami: Jutta Koethe in “ Good Luck Spot ” Hey galleries and artists! If you have enjoyed being included in our NYC Selected Gallery Guide and find it a helpful way to get the word out to promote your exhibitions, please consider making a tax deductible contribution to Two Coats of Paint ...

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about 5 months ago (11/29/2023)

Alicia Keys and Swizz Beatz will show their art collection at the Brooklyn Museum...

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about 5 months ago (11/29/2023)

Galleries Are Still Adapting to the New Normal, Post-COVID | Artsy Skip to Main Content Advertisement Art Market Galleries Are Still Adapting to the New Normal, Post-COVID Maxwell Rabb Nov 29, 2023 10:24PM Exterior view of Mazzoleni Gallery, London...

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about 5 months ago (11/28/2023)

6 Artists to Watch during Miami Art Week according to Sarah Harrelson | Artsy Skip to Main Content Advertisement Art Sarah Harrelson’s Artists to Watch during Miami Art Week Sarah Harrelson Nov 28, 2023 10:35PM Sarah Harrelson at home in Beverly Hills standing next to a Pierre Chapo table with ceramics by Seth Bogart and Haas Brothers...

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about 7 months ago (10/09/2023)

"KorSonoR" exposition-festival d'arts sonores et visuels - artpress X 9 octobre 2023 Dans AP Web , arts visuels “KorSonoR” exposition-festival d’arts sonores et visuels Par Félix Gatier...

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about 19 months ago (10/05/2022)

The gift includes works by Sam Doyle, Purvis Young, Thornton Dial, Sister Gertrude Morgan, and Herbert Singleton....

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about 19 months ago (10/05/2022)

Christie’s Will Offer Ann and Gordon Getty’s Sterling Collection of Impressionists and Old Masters, Raising a Potential $180 Million - via artnet news...

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about 19 months ago (10/05/2022)

James McKissic shares pieces from his collection in AVA's 'Rooted in Color' exhibition | Chattanooga Times Free Press Photo from AVA Gallery / "Minister, Chicago 1950" by Gordon Parks The Association for Visual Arts ventures into new territory with its first show of 2020...

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about 19 months ago (10/05/2022)

Holly Solomon spent most of her life supporting and championing artists; a new exhibition in London charts her influence....

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about 29 months ago (12/02/2021)

Track Changes : Open Space December 02, 2021 Track Changes by Claudia La Rocco , Suzanne Stein + Lenny Gonzalez by Claudia La Rocco + Suzanne Stein, with Lenny Gonzalez The colophon for the original Open Space , published by White Rabbit Press...

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about 38 months ago (03/19/2021)

Kenneth Clark on the Formation of Western Institutions, in 1954 – ARTnews.com Skip to main content By Kenneth Clark Plus Icon Kenneth Clark View All March 19, 2021 1:37pm Johan Zoffany, Tribuna of the Uffizi , 1772–78...

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about 42 months ago (11/14/2020)

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper...

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about 58 months ago (08/09/2019)

Looking away for clarity: “First Fleet” by Nine Years Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Bernie Ng August 9, 2019 By Nabilah Said (1,100 words, 6-minute read) “The best seats are on the sides.” A friend’s advice guided my decision when I went to review First Fleet by Nine Years Theatre...

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about 101 months ago (01/24/2016)

Come In From the Blizzard: Outsider Art Fair – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Come In From the Blizzard: Outsider Art Fair by December Projects Jan 27, 2016 in NEWS 0 Cai Dongdong, Klein Sun Gallery...

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about 124 months ago (02/26/2014)

Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...

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about 3 months ago (02/12/2024)

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about 35 months ago (06/26/2021)

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about 56 months ago (09/28/2019)

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about 63 months ago (03/11/2019)

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about 73 months ago (04/26/2018)

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about 75 months ago (03/11/2018)

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about 80 months ago (10/11/2017)

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about 125 months ago (02/05/2014)

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about 133 months ago (06/01/2013)

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about 133 months ago (05/18/2013)

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about 133 months ago (05/18/2013)

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about 138 months ago (01/03/2013)

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about 163 months ago (12/04/2010)